Outside Lands - Day 2 Highlights (& Day 3 "Must See" Band)

Third and final day at Outside Lands in SF.  Day 2's highlights -- as expected, Black Keys (they always kill it) -- but, also Billy Idol.  Yes, I said Billy Idol!  Never gets old (despite getting ... well ... older -- nearly 60 and still taking his shirt off ... THAT's bold!).  The kids loved him -- even my near 16-year and 13-year old kids (pictured to the right with Luisa and me after Day 1) anticipated his set just about more than any other.  And, it was just plain fun -- and just plain good.  His songs still rock.  I mean, "White Wedding" ... c'mon!  Lots of fist pumps and sneers in the air on Saturday afternoon in Golden Gate Park.

So, how about Day 3?  Here is my line-up for this final day (with my "must see" artist in bold -- today I really only have one):

2:45 pm -- GIVERS (one of our most anticipated sets of the weekend; saw them at Jazz Fest 3 years ago -- great live)

4:20 pm -- Hot Chip

5:05 pm -- ODESZA


5:55 pm -- The Devil Makes Three

6:40 pm -- Caribou

7:15 pm -- Slightly Stoopid

7:35 pm -- Elton John (gotta do it -- after all, he was my first concert ever "back in the day")

8:25 pm -- Axwell & Ingrosso

Outside Lands Day 2 "Must See" Artists (& Day 1 Highlights)

Yesterday's Outside Lands day 1 is in the books (another magical sunshine-filled day) -- my highlights were First Aid Kit (killed it on the main stage) -- and later Mumford & Sons (delivered a passionate performance that, for some strange reason, didn't
directly connect with the crowd).

Here is my Day 2 line-up (with my "must see's" in bold):

3:40 -- Cold War Kids
4:20 -- Angus & Julia Stone 
5:00 -- Billy Idol
6:30 -- Tame Impala
7:00 -- Ben Harper
8:25 -- Black Keys

Outside Lands Day 1 - My Picks

So many music festivals, so little time!  Today kicks off one of my favorites -- Outside Lands in San Francisco.  This is my 4th -- and this year, like last, I share the revelry with my passionate and experienced festival family (wife, Luisa; daughter Hunter, 15; son Luca, 12; brother George and his partner An).  We get there early -- and stay late -- each day.

Here is our festival line-up for Day 1 (I have highlighted my "must sees" of the day in bold).  Come walk with us ...

12:45 pm -- Broods
2:10 pm -- Robert DeLong
3:10 pm -- First Aid Kit
4:30 pm -- St. Vincent
5:05 pm -- Glass Animals
5:15 pm -- RL Grime (I know, I know -- we can't do both ... but we plan to try)
6:00 pm -- Wilco
6:50 pm -- Porter Robinson
7:55 pm -- Mumford & Sons

Disney Accelerator Class of 2015 - My Picks (& Pics of Mentor Open House)

Disney's highly visible tech accelerator -- appropriately named simply the "Disney Accelerator" -- hosted its open house yesterday for Mentors (am proud to be one of them) to meet the incoming Class of 2015.  10 innovative start-ups hand-picked by the Mouse House -- ranging from robotics (Open Bionics enables amputees to use 3D printing to create affordable bionic hands ... how cool is that?), to artificial intelligence (Imperson enables fans to have conversations with their favorite movie and TV characters, or any character period).  (That's me to the left with long-time friend Marc Zachary, a VP of Disney Interactive.)
Given my increasingly immersive focus, my two stand-outs were:

(1) EMOTIV -- a bioinformatics company that uses EEGs to track mental performance, monitor emotions (including stress levels), and control virtual and physical objects with thoughts (that's me to the right demo-ing with CEO Dr. Geoffrey Mackellar).  Imagine the possibilities here?  Massive.  Not only the obvious (such as focus group testing for media companies), but also much wider applications like overall health and wellness (once again, monitoring stress levels as one example); and

(2) Littlstar -- a VR company that aggregates leading virtual reality content with its device-agnostic discovery and distribution platform (think of it kind of like being a "YouTube for VR").  I spent time with CEO Ben Nunez to learn how he plans to compete with YouTube, among others in the burgeoning space.  Others certainly believe in his vision apart from Disney, since Littlstar just recently demo'd at Bertelsmann Digital Media Investment's (BDMI's) Media Summit in NYC a few weeks back.

VidCon Grows Up -- Too Fast? The Authenticity Dilemma (My Review)

The new video world -- it's all about authenticity -- about approachability -- about connection.  That's why 8 of the 10 "stars" that matter most to teens are grass-roots, home-grown YouTube/digital video personalities (and not manufactured traditional Hollywood celebs) (note: I use "YouTube" in this post as a short-hand for all digital-first platforms, including Vine, Facebook, Snapchat, Vessel, etc.).

But what happens when those YouTube stars grow up, make money, and become the more "traditional" celebrities that represent the precise antithesis of how it all was supposed to be in the first place?

THAT's what this past week's VidCon 2015 represented -- and embodied itself -- because the YouTube "celebrity's" struggle is VidCon's own struggle.

Last year, VidCon -- a previously important, yet still quaint, gathering of YouTube stars, Viners and the fans who adore them -- broke through into the more mainstream business world at meaningful scale.  I attended it.  Was blown away by it.  And especially enjoyed the purity and energy of it, as thousands of fans (mostly teen girls) screamed and mobbed their favorite digital celebs (mostly teen boys) in a form of never-ending Beatle-mania.  At the time, one year ago in a widely-read post, I remarked that as much as I felt I knew the new digital world order prior to attending VidCon 2014, I didn't really understand it until I was truly immersed in it -- immersed in what drove the whole YouTube economy in the first place.  The creators.  The fans.  And, the authenticity, approachability and connection between them.  No YouTuber was off limits to their fans at last year's VidCon -- the connection was made (frequently physically).  You needed to be there -- to experience it -- to truly "get" it (I labeled it a "must attend" event at the time).

This year was different.  You could feel it.  I did.  I remarked at it.  Was disappointed by it.  Even a bit nostalgic about it.

To a certain extent, VidCon 2015 represented innocence lost.  The fans' screams were fewer.  Quieter.  Muted.  The frenetic running to see their favorite creator was reigned in.  Slowed.  Controlled.  And those previously eager, open and hyper-connecting YouTube personalities were visibly less accessible -- and many seemingly wanted it to be that way.  As I drove away one night, I noticed black Escalade after Escalade hidden in the back alleys of the Anaheim Convention Center, whisking many of those fast-becoming more "traditional" YouTube celebrities away from their fans.  Distancing them.  Separating them.  Breaking (with accelerating speed) the fundamental tenet of YouTube authenticity -- i.e., accessibility and connection.

By all conventional measures (i.e., pure numbers, overall organization), VidCon 2015 was a smashing success.  VidCon organizers have built a world-class, "must attend" event.  And, the media, brand and tech worlds of business finally took notice en masse and attended in droves as I urged them to.

But, that very business success -- just like the increasing business and financial success of YouTube celebrities -- is a double-edged sword.  The young, innocent, no-holds-barred and still-upstart YouTube world of last year has grown up fast this past year into a more mature, more cautious world that is beginning to feel more "traditional" ... and, somehow, a bit less "authentic" as a result.  

I understand this of course.  It's inevitable.  The natural order of things.  Digital-first is now simply first -- i.e., "traditional" -- for millennials.  That's why it's increasingly (and properly) first for the media world that wants to reach them.  It's increasingly (and properly) first for business, period ("billions of dollars" of business).  And, it's now increasingly (and understandably) the first business -- vocation -- for myriad new home-grown, bottoms up creators (YouTube trumpeted the fact that 50% more of them made 6 figures this year than last).  VidCon -- as I also learned -- had no choice but to install new security procedures and fan controls as a result of all of these forces.  To protect those YouTube celebrities (and the fans themselves) from last year's frequently unbridled hyper-enthusiastic-driven forces (including near-stampedes) -- all motivated by the purest and most innocent of intentions -- that apparently (and understandably) frightened many (and potentially endangered some).

But VidCon -- here's my challenge to you.  Let's not control too much next year.  Let's open up more tickets for fans.  Let's allow (encourage?) more screaming.  Let's bring back more access.  Fewer limousines (more "regular," non-traditional new world electric cars perhaps that represent a new ethos for millennials?).  Fewer velvet ropes (I admit, I was guilty of sponsoring one such event myself).  And, YouTube stars -- let's not control too much of that original spontaneous and pure motivation and passion that fueled your creativity (and your fans' love for it) in the first place.  Let's not buy into the same trappings that disconnected traditional Hollywood celebs from your fans and made you "stars" in the first place (I mean, do you really need limousines?).  Remember, YOU are defining the new rules of celebrity and artist/fan engagement.  You have a chance to break the mold.

To be clear, money and business that flow from creativity and passion are not the enemy here.  Money enables the artist to devote himself or herself to the very act of creation -- and business provides the means and screens to create and be seen.  I'm in that business.  Believe in it absolutely.

But, let's not let the pendulum swing too far.  Let's, together, not lose sight of what moved us and the overall YouTube movement (and what it represents) in the first place ... authenticity, approachability, and connection.  

I certainly don't have the answers.  Maybe there are none.  But, let's, together, at least reflect upon this while we are still relatively early on in this digital transformation and before the forces behind it themselves become, well, simply conventional ....

Facebook v. YouTube - My VidCon Interview

VideoInk's Todd Longwell interviews me at VidCon -- discussing Facebook versus YouTube (is it really a zero-sum game?) and all things video.  The meat of the interview starts at the 90 second point.

YouTube's VidCon Keynote - The 4 Big Stories

YouTube CEO Susan Wojcicki took center stage at VidCon day 1, giving a 20 minute keynote and then answering some astute, challenging questions from BroadbandTV CEO Shahrzad Rafati for 20 minutes more.  These were no softballs -- question is whether Wojcicki saw these questions in advance.  Didn't really seem like it, because several of the most challenging questions (see below) were somewhat awkwardly deflected (guess which ones? Yes, those questioning YouTube's economics).



Here are my HEADLINES/KEY STORIES from the YouTube Keynote and Q&A:

(1) THE ECONOMICS STORY -- We all know many in the industry (certainly YouTube's increasing number of competitors) slam YouTube for its 55/45 economics they say are unworkable for creators (Jason Calacanis anyone?) -- and work for YouTube only.  Raft directly asked Wojcicki about YouTube's own direct revenues and creator monetization.  This was Wojcicki's most unsatisfying answer, as she rather obviously (and not the most artfully) deflected it.  She didn't respond to the "YouTube revenue" question at all, instead pointing out that creators soon will have more opportunities to monetize via subscriptions and YouTube-funded originals.  "Some can even write books."  And, in her presentation, she also emphasized that 50% more creators made "six figures" this year than last on YouTube.  Yes, that's true of course.  YouTube can be (and has been) a great launching pad (case in point -- YouTube now counts nearly 25 creators with over 10 million subscribers, each of whom will now have a diamond "button").  The question is, however, (i) how many creators and what percentage of overall creators earn six figures (unanswered) and (ii) how many (and what percentage of) creators can really monetize beyond their 55/45 split.

(2) THE FACEBOOK STORY -- One year ago, YouTube was essentially the only game in town for creators.  Not anymore.  Facebook, Snapchat, Vessel ....  Raft asked Wojcicki about Facebook (and cited its increasingly impressive number of views metric) -- and how she felt about seeing YouTube creators now "off" YouTube and on other platforms.  Wojcicki didn't directly mention Facebook, but she implicitly did -- stating that YouTube believes that viewer engagement (as measured via actual "watch time") is more important than the number of views (meaning that YouTube believes Facebook's reported metrics are less meaningful -- which may be true, by the way).  She also highlighted the fact that YouTubers spent 60% more time watching videos this year than last (which is a truly impressive number).

(3) THE VR/IMMERSIVE STORY -- This may be THE product story for YouTube at VidCon this year.  Watch out all you VR startups out there who want to be "the YouTube for VR content."  YouTube wants to be the YouTube for VR -- and is moving fast.  A key initiative is to showcase more and more 360 video, including "immersive" 3D 360 video.  To underscore this point, YouTube gave away free Google Cardboard to all keynote attendees.

(4) THE STEALTH VERTICAL FOCUS (& MCN THREAT) STORY -- While Wojcicki emphasized YouTube's top 3 product priorities as being "mobile, mobile, mobile," the real story here is YouTube's direct attack on vertical-focused video digital-first companies on and off YouTube (i.e., MCNs).  One key selling point to creators and MCN viewers has been focus -- "if you are a gamer, come to Machinima, we are the home to content that matters to you and you only" (you don't need to sift it out from all the noise).  YouTube's new answer to this critique (and the growing success of vertically-focused, yet significantly smaller, competitors) is to create and launch separate vertically-focused channels, each with their own separate mobile apps.  First, YouTube Kids.  Next, YouTube Gaming.  And, third, YouTube Music Key (which may be launched under a new name).  And, you can bet this is just the beginning.  So, watch out MCNs, the hand that feeds may be biting back.  Your MPN strategy is right on.